A Polite Answer to a 'Review'

Greetings to all my friends and readers out there, it has been quite some time since I’ve had the chance to site down for a quiet hour and compose for my blog.  What with three teenagers home all day on the Yuletide holidays and the frantic efforts to get my eldest into a university course after the regional bell curve and algebraic massaging of VTAC turned his straight A and A+’s into C’s and a pitiful scatter of B’s.  But I’ll deal with that discriminatory bias by Victorian Education anon.  The local bushfires and a few unfortunate tragedies too close to home of course didn’t help matters.  In the meantime I’d like to bring up a vexing subject for writers, both retained and Indie, that of Amazon reviews.  I know this particular theme can fill countless blog and forum pages and I don’t wish to revisit old arguments or well hashed debates, instead based on observation over the past couple of years I’ll divide them into three classifications.

1. Genuine comments from readers responding to their perceived view of a novel.
2. Sock puppets of aggrieved fellow authors or would be writers and hired hacks from various publicity or publishing houses.
3. Trolls out to gain vicarious satisfaction and jollies by putting others down.

There of course many other sub divisions and categories but I think these three will suffice.

Now for the writer the question is do you answer these reviews?  That is a ticklish question, on the one hand responding to a good or average review is a polite acknowledgement for effort.  While to answer the commonly baseless accusations can be seen to be pandering to the desires, plans or prejudices of sock puppets and trolls giving them a bigger target.  Though to let those go unanswered can have serious consequences on the sales and promotion of your novels.  It really is a quandary, to give the benefit of the doubt to a suspicious review or reveal them as malicious frauds?

Well here’s how I’m going to deal with one review that’s left me perplexed and dismayed for the past few months.  By the way my deepest thanks to my dear friends at EHFA for their helpful advice and support regarding this matter.

Darkness Divined

MarieG 2.0 out of 5 stars Confusing! 7 Oct 2012

As a great fan of historical novels I didn't expect to find myself so befuddled by the content of this story. It seemed that as a reader I was thrown into the middle of a story that I had missed half of. Without warning I was presented with a vampire strand of the story and I just got confused about where the story was. I couldn't finish it which is something that I rarely say once I start a book. Additionally the Kindle edition had many grammatical and spelling errors that were distracting in the extreme. I am surprised that there are not more reviews of this book. Great idea and style but For me lost in translation (sorry).

To MarieG

Thank you for review I have thought long and hard about your comments and have delayed replying as I mulled them over trying to work out the areas of your difficulties.  So I will endeavour to give you satisfaction one item at a time. 

1. A great fan of Historical Fiction befuddled by the content of the story.

1. #28 in Books > Fantasy > Historical
2. #43 in Kindle Store > Books > Fiction > Fantasy > Historical

The story is listed in the historical fantasy genre as is proved by the above ranking prominently displayed on the book page.  It is not, nor does it imply either by promo, prologue or genre placement to be historical fiction.  While set in the nominal world of a young Henry VIII the phrase - the dark magicks of reanimation should have given a hefty hint that this novel strayed into the supernatural.

2. An unexpected vampire strand of the story

Firstly I refer you to the above ranking of the story in the Amazon genre categories it is a Historical Fantasy, so by classification it must have fantastic, supernatural or magical elements as part of the story like, witches, elves, demons and so on.  Secondly the book promo refers directly to these two phrases- Now Francis knows very well who killed Gwen, the problem is ensuring she stays safely dead while he tracks down the source of the dark magicks of reanimation.  Now that should give the clue that we are dealing with a heavy fantasy component, as well as magick and the walking dead.

Or then, maybe Mistress Annise? That’s if you can trust a drinker of blood.  As for the, to you unexpected inclusion of a vampyre, if it is in the promo and it is historical fantasy as we’ve already proved you’d have to be pretty disappointed if a drinker of blood wasn’t a vampyre.

Thirdly the first two and a half chapters are available to read in Amazon’s Look Inside option or as a sample download.  Now I’m really not giving anything away in stating quite bluntly that the first few pages give more than a hint that this tale is dealing with the reanimated dead, as Francis grapples with the suddenly moving slain woman.  That’s not something you’d normally expect in your average Tudor historical fiction, but does fit with fantasy.

3. Grammatical and spelling errors 

Ahh yes the old bugbear, this is always difficult to answer since when it comes up no evidence is provided, it’s a bit like the old Tudor cry of treason or witchcraft just enough to set the mobs a howling for blood but no proof.  Considering that I can easily cite over a dozen prominent works of fiction and non fiction with the most abysmal spelling and grammar is not an excuse, but it is reality.  I suggest that if you would care to equally direct your outraged ire at the larger publishing houses rather than just poorly resourced Indies then I will readily accept your admonishment.  However I believe it is stated quite conclusively at the start of the book that I use Tudor spellings for places and occasionally titles and terms as well as a glossary.  As for grammar both my editor and I use the Australian style manual and a very large pile of Tudor reference books (see this link for a partial list).  Although, as I’ve seen what is considered correct grammatical practice can vary wildly between genres, professions and regions, let alone those between continents supposedly using the same language.  All I can say is that my personal style is the product of my heritage, education, reading and environment.  I can however assure you that if you direct me to any particular problems they will be remedied. 

4. More reviews…Great idea and style

Thank you for that part of your review, though your phrasing leaves a hanging question, was that more good reviews or bad reviews?  Unfortunately the praise comes well after your emphatic expressions of confusion and dislike so I’m not sure you actually meant it, but I will be a gentleman allow you the benefit of the doubt.  So my thanks, for leaving your opinion.

Regards Greg

Darkness Divined- A Cover! A story in Itself!

Good day to my growing legion of devoted readers.  First before we start this instalment of Red Ned’s Tudor blog I would once more like you to take a moment to continue to think of those of us undergoing threat or privation around the world.  Disasters happen, then all too soon our attention is drawn away by some other media event.  Or maybe you have a neighbour who’s a tad poorly, well how are they?  Have you seen them recently, could they do with a hand?  Improving the world starts with your own community, I ask you that if it is possible please donate or support a local/international charity of your choice.

Now on to the latest news!  My first Red Ned The Liberties of London novella is now usually found in the Amazon UK top twenty of the Historical Mystery genre.  While even more gratifying its two longer companion stories in the series The Queen’s Oranges and The Cardinals Angels hover in between the top twenty and top fifty.  Thank you to all my friends and readers for your encouragement and support for quality historical fiction.

Also in the news my very talented partner and Uber Editor Jocelyn is now producing a series of blogs and video posts at http://muffinmegnmemuffinandme.blogspot.com.au/ about life, design art, cats, knitting and more cats.  Also, did I mention the cats?  So have a stroll over and watch a very entertaining (and amusing) segment from the creative crew of Maison d’ House.

Now on to the first book in my new dark Tudor historical fantasy Series Dark Devices —Darkness Divined.  It has recently gone live on Amazon as a downloadable ebook for Kindle or any little electronic beastie with a Kindle app.  So if you like your fantasy darker and firmly based in a historical period, then cruise on over and check out a sample.

In the meantime I thought we’d look at the cover art process for this novel.  In keeping with the Tudor theme of the series we have used a composition of the story elements based on existing period art work.  Personally I think this is much better than the headless bimbo theme currently used for almost every piece of historical fiction whether appropriate or not.  In fact a generally headless presentation would be perfect for at least two Tudor figures that spring to mind Mary Queen of Scots and Catherine Howard, apart from them I suspect it is laziness on the part of publishers.  A wonderful article on that theme can be found here or my satirical version on Prognostications and Pouting. 

 The covers for the other books both in the Red Ned and Peter Wilks series have taught us the advantages and pitfalls of the Indie author/publisher’s need for quality art.  Luckily our in-House budding artist Alex is improving in leaps and bounds with his design work and skill level.  While the critical eye of my dear Uber editor has summarily executed my wilder or more insanely complex suggestions (sigh I don’t know why she didn’t like the mechanical Tudor elephant, it looked great to me).

Thus the first stage was hours and hours going through the covers of fantasy, historical fantasy and darkly gothic/fantasy on Amazon, searching for ones that stood out or impressed.  That wasn’t as easy as it sounds there are thousands of books out there in those genres.  The result was dark tones or shadows with a hefty splash of red seemed to work best for visual atmosphere and mood.   As for the period flavour paintings I felt these were mainly used for straight Hist Fic except for some clever mashups like Pride and Prejudice, and Zombies.  So those were out, instead the most tempting medium was wood cut prints bang on period and versatile plus an excellent variety readily available.

After a fairly broad search I happened upon a beautiful set of prints by one of the true masters of the Tudor period Holbein.  Now honestly he should have been first on my list but as you know the most obvious is never really so.  This is one of a set that the master produced in his series the Dance of Death through the ranks of Renaissance society.  Due to Shakespeare’s wonderful use of allusions for London Tudor slang I chose this plate showing Death snuffing out the life of a Nun.  (Read the book I’m sure you’ll get the allusion)  See the following links for the orignial and the entire series

http://www.dodedans.com/Eholbein-simulachres.htm

http://www.dodedans.com/Exhibit/Image.php?lang=e&navn=holbein-24

The stone wall represents either a cellar or a crypt where of course dark deeds are always committed. 

The background wall is a touch light in this shot, so we need to add Darkness with a circle of illumination to add atmosphere.















As for the artistic spray of blood down the bottom, I sure I don’t have to explain that for a Dark Historical Fantasy.















In this next stage we bring the woodcut into the cover projecting it on to the wall as from a magic lantern, completing the basic cover. 













The projector is based on a small sketch by the master of renaissance devices Leonardo da Vinci, whose mind must have been the very ferment of creativity for all the intricate drawings that sprang forth.  This one has the ubiqitoius lion's feet without which no piece of renaissance table art is complete.  To add to the Da Vinci-ness of the illustration we put the sketch on aged parchment and overlaided a selection of the master's reversed writings.

For the last stage see the finished cover at the start of this section, we chose a Tudor style gothic script to fix the period in the mind of the viewer and then inserted over it a colour and pattern of acid etched gold for the aged quality.

 As you can see here at the Maison d’ House we’re a creative bunch I hope your enjoyed this article and from here I suggest you cruise on over to Amazon and check out an Indie writer in your preferred genre.

Any way for those of you who may be interested here are the links to Darkness Divined at

Amazon US/Australia

Amazon UK

Regards Greg.