Red Ned Tudor Mysteries

Showing posts with label Tudor London. Show all posts
Showing posts with label Tudor London. Show all posts

Tuesday, October 15, 2013

What are the Liberties?







Greetings my well regarded readers, I hope that in the north hemisphere your Fall or Autumn isn’t proving too much of a trial after the joys of Summer.
Today I have a few announcements before we move on to the body of the blog.  Firstly my Tudor novella The Fetter Lane Fleece will be available free for two days from the 15/10/13 at Amazon USA/Aust and Amazon UK so I encourage you to call by and if you haven’t already download a copy for your entertainment.  In the mean time I’d like to thank those of my readers who’ve stopped by and left a review, every of them (even the obvious sock puppets) help improve the position of an Indie writer.
Now on to the meat of our discourse;
In a 1601 speech to the House of Commons, Stephen Soame, MP for the City of
London, spoke in support of a bill that would have extended the City’s jurisdiction into
the neighbouring liberty of St Katherine by the Tower. The privileges enjoyed by the
Liberties, he argued, ‘are the very sincke of sinne, the nurserye of nawghtie and lewd
places, the harbors of thieves, roagues and beggars, and maynteyners of ydle persons,
ffor when our shoppes and howses be robbed, thether they ffly ffor releife and sanctuarie, and we cannot helpe our selves.’
 The prorogation of Parliament a few days later killed his bill, but Soame’s characterisation of St Katherine’s proved more durable. Such descriptions of the liberties, made by Soame and other contemporaries, have led many modern scholars to assume that the Liberties posed a constant threat to metropolitan order. There is, however, reason to believe that the Liberties were more complex and less purely problematic than their general historiographical portrayal would suggest.
In 1530 two dozen religious foundations dotted the landscape of the capital. The sixteen religious houses within or immediately adjacent to the City of London were joined by eight others in Spitalfields, Clerkenwell, Westminster and Southwark.  
Extract The City of London and the Problem of the Liberties, c1540 – c1640
A thesis submitted for the degree of Doctor of Philosophy in the Faculty of Modern History

Anthony Paul House Christ Church Trinity Term 2006.

So what are the Liberties?  My main character Ned Bedwell seems to spend an inordinate amount of time frequenting the Liberties rather than attending to his duties as a Law apprentice.  What could be the attraction?  Well for a start the reason Stephen Soame was frothing so fervently about the disorders of the Liberties was a very simple one.  They were exempt from the normal processes of civil and royal jurisdiction by fact of belonging to the English Church.  Over time the Church had accumulated a lot of properties in and around London via grants, purchase or deeds, before the Great Dissolution under Henry VIII it is possible that around a fifth of the city of London was under their direct control as owners or landlords.  And where they held sway so did Canon law, it was as if the city and surrounding regions were covered in a patchwork of independent tax and law free zones pretty much like the Virgin or Channel Islands today for the obscenely rich.  To escape local justice if any thief or other insalubrious person made to one of the Liberties then they were immune to seizure or prosecution by the local constables and justice of the peace.  Of course the upholders of civic law could always petition the Church to gain hold of the miscreant, however such proceedings were both expensive and long drawn out.  The Church was jealous of its rights and maintained its exemption from civil laws.  At least Until King Henry VIII clipped their wings.

Of course this refuge form common law was an opportunity that the denizens of deceit and depravity found irresistible, especially since the Church wasn’t very effective in policing its own property.  Thus by the 1530’s the various Liberties were considered over run by thieves, beggars’ vagrants’ whores, malcontents, coiners, forgers and murderers.  The fact that they also housed brothels, gaming dens stews and other places of vile debauchery and sin probably made them more attractive for the average Londoner, especially the young lads of the Inns of Court.  Though they weren’t the only inhabitants, it was also a favoured refuge for foreigners, debtors, Guildless tradesmen and surprisingly evangelicals spreading the word of the Bible in the English tongue.  However the situation of the Liberties in and around London is somewhat more complex than this simple explanation.  The legal or other position of these areas was frequently a useful carrot or occasionally goad for the Royal Sovereign to use in his negotiations with the London Guildhall and the Church over taxes and privileges.  For London the Liberties also served as a useful excuse for ‘failing’ to deal with crimes or imposing royal writs since these ‘territories’ made a ‘mockery of their zeal and  commitment to his Majesties lawful demands’.  Come the Great Dissolution in the late 1530’s the status of the Liberties changed though you’ll have to wait a few novels until Ned Bedwell undergoes this transformation of England to see what survives and what goes under.  Though I suspect there will always be a place for rogues, whores and dice men in the Tudor realm.  

Regards Greg 


The Fetter Lane Fleece Links from the 15/10/13-17/10/13



Wednesday, December 12, 2012

The Lord of Misrule Released On Amazon!

New Red Ned Novel Out!

Greetings my well regarded readers, I hope that all is well with you and yours as we rapidly approach the Yuletide celebrations.  Today I have a few announcements before we move on to the body of the blog.  First I would to extend my heartfelt sympathies to the family of Jacinta Saldanha, the staff of King Edward VIII hospital and Kate Middleton the Duchess of Cambridge for the trauma and sorrow caused by the deceitful, cowardly and callous actions of a few of my fellow Australians.  My personal reactions to this crime of fraud and breach of privacy is detailed in my other blog Prognostications and Pouting so for any interested I suggest you clink on the link for a quick visit.


To happier news, I would also like to announce that a new Red Ned story has been released on Amazon- The Lord of Misrule.  This new volume of Red Ned Bedwell’s misadventures is a compilation of the Yuletide tales comprising The Liberties of London, The Fetter Lane Fleece and the latest story A Comfit of Rogues, all brought together into one handy volume.  This will also be the first of my novels that will be committed to hard copy printing and with luck should be available by Christmas.

Now since I’ve already released prologues of all these novellas it’s pretty pointless to do so again.  Instead I thought I’d put up a short list of my Tudor sources, with a brief justification as to why a majority of  historical fiction writers go to such great lengths to present their story in its proper setting.
As with most writers those of us in this genre would like to take you on a journey into the past.  Sometimes just a decade or two, or maybe stretching back deep into the prehistory of the Neolithic.  To weave the visual and mnemonic tapestry of the tale requires a special set of talents, imagination, creativity, commitment, storytelling ability and most importantly resources to draw upon for the historical flavour and texture.  Luckily in these modern times we are blessed with the wonder of the internet, which has been both an enormous boon for its quantity of information and somewhat of a peril for its varying and occasionally dubious quality.  However for the serious historical fiction writer there is always the old standby resource - books.  Lots of them.
Visit the home of just about any writer of this genre and no doubt you’ll find book cases packed to the gunwales of all manner and type, both fiction and non fiction.  For this is the well of inspiration, the salmon of knowledge, where in we dip for the textural landscape of our setting. Such as the size and shape of the buildings, the weft of the clothing the sight and all too often smell of the era.  And most of all the placement and situations of our characters, their families, friends and rivals the very nature of their conflict, adversity or experience.  Without the aid of these splendid props our work would be so much the poorer, merely a thin soup of a serving, instead of a rich spicy banquet fit to stun the senses.
So as an inspiration and an example of some of the library here is a short list of the contents of my library.

The Lord of Misrule Book links



Tudor Bibliography


Tudor London

Elizabeth’s London, Liza Picard

The Riverside Gardens of Thomas More’s London, Christianson
The A-Z of Elizabethan London
The Renaissance European Painting 1400-1600, McCorquodale
Cities of the Renaissance World, Swift and Konstam
The History of London in Maps Barker and Jackson
Walking Shakespeare’s London
Shakespeare’s London

 

Tudor Warfare


Weapons of Warre- The Mary Rose Trust
Elizabeth’s Wars Paul, E J Hammer
The Confident Hope of a Miracle, Neil Hanson
The Great Enterprise, Mattingly
War and Society in Renaissance Europe, JR Hale
Weapons and Warfare in Renaissance Europe, Bert S Hall.
Gunpowder, Jack Kelly
English Warfare 1511- 1642, Mark Fissel
the Military Revolution, Geoffrey Parker
Early Gunpowder Artillery, John Norris
Arms and Armour Annual, R. Held ed
Art Arms and Armour 1979-80, R Held ed.
Hafted Weapons in Medieval and Renaissance Europe, John Waldman
Osprey Publications
Henry VIII’s Army
Tudor Knights
The German Peasant Wars

Tudor Society


The Elizabethan Underworld, Gamini Salgado
A Notable Discovery of Coosnage 1591, Robert Greene
The Second Part of Cony Catching 1592, Robert Greene
A Groat’s Worth of Wit 1592, Robert Greene
The Early Tudors at Home Elizabeth Burton
The Tudor Housewife, Alison Sim
Tudor Pastimes and Pleasure, Alison Sim
Food and Feast in Tudor England Alison Sim
The Tudor Law of Treason, Bellamy
Strange and Inhuman Deaths Murder in Tudor England, Bellamy
Big Chief Elizabeth, Giles Milton
Undreamed Shores, Michael Foss
Tudor Rebellions, A Fletcher and Diarmaid McCulloch
Tudor England, ST Bindoff
Beer in the Middle Ages and Renaissance, Richard W Unger
Ale Beer and brewing: Women’s Work in a Changing World, Judith M Bennett
Treason in Tudor England, Lacy Baldwin Smith
The Pilgrimage of Grace, Moorhouse
English Merchant Shipping 1460-1540 Dorothy Burwash
Rethinking the Henrican Era, Herman Ed.
Foul Bills and Dagger Money R G Hamilton
Invisible Power: the Elizabethan Secret Service Alan Hayes
Medicine and Society in Later Medieval England
The Tudor Constitution, G R Elton
Authority and Disorder in Tudor Times 1485-1603, Paul Thomas
A Time Traveller’s Guide to Elizabethan England, Mortimer
The Complete works of William Shakespeare
Contested Will Who wrote Shakespeare, J Shapiro
What the Tudors Did for Us, Adam Hart-Davis
All the King’s Cooks: The Tudor Kitchens of Henry VIII at Hampton Court Palace, Peter Brears
Ale Beer and Brewsters in England, Judith M. Bennett
The Cambridge History of Urban Britain Vols 1-2
The Tudor Tailor, Mikhaila and Malcolm Davies
Period Costume for Stage and Screen 1500-1800, Jean Hunnisett
The Patterns of fashion, Janet Arnold

Tudor Court


In the Lion’s Court, Derek Wilson
The Life and Letters of Thomas Cromwell, Merriman
Letters to Cromwell, Cooke
The Lisle Letters, ed Muriel St Clare Bryne
Thomas More, Marius
Thomas More, Ackroyd
Thomas More, Roper and Harpsfield
Wolsey, Cavendish
The Reign of Henry VIII, Starkey
The Statesman and the Fanatic –Thomas Wolsey and Thomas More, Ridley
Rivals in Power, Starkey
A Tudor Tragedy, Lacy Baldwin Smith
The Mask of Royalty Henry VIII, Lacy Baldwin Smith
A Tudor Tragedy, Neville Williams
The Double Life of Doctor Lopez, Dominic Green
Henry VIII’s Divorce Literature and the Politics of the Printing Press, J C Warner
Great Harry, Carolly Erikson
Henry VIII The King and his Court, Alison Weir
The Children of England; The Heirs of Henry VIII Alison Weir
Elizabeth the Queen Weir
Mary Boleyn Alison Weir
The Lady in the Tower Alison Weir
The Six Wives of Henry VIII Alison Weir
Mary Tudor England’s First Queen, Whitlock
Henry VIII, Scarisbrick
Henry VIII, Bowles
The Last Days of Henry VIII, Hutchinson
Thomas Cromwell, Henry VIII’s most notorious minister, Hutchinson
Anne Boleyn, Joan Denny
Who’s Who in Tudor England, Rouse
The Infamous Lady Rochford, Julia Fox
The Queen’s Conjurer Benjamin, Woolley
The Uncrowned Kings of England, Derek Wilson
The Tudor Queens, Loades
Elizabeth, Starkey
Elizabeth’s Women, Tracy Borman
Mary Queen of Scots and the Murder of Lord Darnley, Alison Weir
Arabella England’s Lost Queen, Sarah Gristwood
My Heart is Not My Own, John Guy

Religion


The Reformation, Diarmaid McCulloch
The Pursuit of the Millennium, Norman Cohen
God’s Bestseller, Moynaham
Reformation Europe 1517-1559, G R Elton
Bloody Mary’s Martyrs, Ridley
Schisms in Christianity and the rise of Protestantism

Then of course we have the internet sources such as academic articles, national archives, online archives, the Guttenberg Project and university dissertations and if your keen that can take up weeks in the searching and compiling.  I think we’ll leave a taste of those resources for a later occasion.
To all my readers keep safe and well in this lead up to Yuletide and unlike Red Ned quaff in moderation.
Regards Gregory House

Sunday, November 20, 2011

The Yes Virginia, there really is a Shakespeare

Or the turd besplattered premise of Anonymous (to quote Sir Thomas More)

Greetings my well regarded readers, all several of you, I have some quite good news to impart, for most of this last month Red Ned’s The Liberties of London has been sitting amongst the August company of Amazon UK top 100 Historical Fiction Mystery list.  Either at its peak of 22 or more usually in the 30’s to 70’s, I must thank all you UK readers for your discerning taste and if you enjoyed it please leave a review on Amazon or send a copy to your friends.  As well I’m please to announce that my latest novel in the Red Ned Tudor Mystery series –The Cardinal’s Angels is now out on Amazon.  While in another genre I’ve released the first of my Peter Wilks Archaeological Mysteries series- Terra Australis Templars also on Amazon.


Today’s article pushes a little ahead of my usual period of Henry VIII’s England, considering the current fraca concerning History and Hollywood I thought we’d look at Emmerlich’s latest piece Anonymous.  As you may have noticed from the splashy ads its a fictional tale about the Earl of Oxford as the secret author of one of the greatest collections of plays in the western world, no less than the real writer of all of Shakespeare’s sonnets and plays.  So you ask where does that leave poor ol’ Will Shakespeare?  Well for Oxford to rise Will has to go down and its not just a minor downplaying no, instead the illustrious bard is portrayed as an illiterate drunken buffoon, whom it seems can hardly make it as a hack player.  Which is as you may understand is a bit of a come down.  How did they do this you ask?  How else…by the magical faerie dust of Hollywood.

Hollywood History???

The film industry in Hollywood has an interesting relationship with history.  A Love/Hate one, in that history provides some wonderful sources for cinematic stories and when viewed via very particular psyche of the film producer is never dramatic, or lurid or speculative enough.  It has to be bigger, or more dramatic, salacious and so forth!  Okay, I’ll just give the silly example of Pearl Harbour.  An experienced battle hardened fighter pilot shoots down lots of Japanese aircraft during the December 7 attack, (which in its self is a very demeaning presentation of the event) then translates himself into a bomber pilot just in time for the Doolittle Raid.  Oh dear that really warps a valid historical event into a sad travesty.  So in the meantime let us just accept that Hollywood has a tendency to ignore reality in preference to the more wilder flights of fantasy.  So its entertainment, no worries!  Well yes, and no, as humans we are natural storytellers and a vast amount of our learning, habits and interpretation of the world around us is made up of stories.  This simple fact is much utilised by the advertising industry, which one must admit is a legalised business for the dissemination of, not to put too fine a point on it ‘untruths’ or ‘marketable truths’. 


Bearing this in mind it should be no surprise that Emmerlich has sort to boost his films performance and historical credibility by any means possible.  This marketing of history has included offering Anonymous educational modules to school pushing as it is termed the Oxfordian view.  Well its only marketing, so why should we care?
I believe we should, for a number of reasons, not the least because re inventing the past into a pliable fantasy pastiche is a common tool used to stifle criticism and complaint against abuse.  This fantasization of the past has been utilised by all manner of opportunists, ranging from political ideological driven parties like National Socialist to more purely commercial organisations such as News International.
First a quick look at poor ol’ Will.

Shakespeare?  Bladerdash!!  Oxford!!
The Oxfordians, as they term themselves like Climate Change skeptics appear to accept not one single shred of evidence regarding the authenticity of Shakespeare’s works.  These non-viable pieces of evidence include written accounts by his contemporise, such as Dekker, Johnson and Greene and range from memorials, reports and snide viperative assertions (Greene, a fellow writer who knew little about restrain either with a poisoned pen or dicing).  I will not go over the lengthy academic accounts of why the plays must have been by Shakespeare, or how the studies were based on thorough analysis of verse, word style changes and so on.  There are more than enough scholarly works on that solid research without my need to build up the case. 


The best I can do is recommend a book by Bill Bryson- Shakespeare: The World as Stage.  It is perhaps the simplest and most entertaining account of what we do know about Will, (not a lot) and where that came from (or didn’t).  As well it shines a very disturbing spotlight on the origins of the rival authorship claims and their evidence…or actually supposition… or maybe fabrication and even a heavy dash of delusion. 
Thus having raised that issue I pass onto what I feel is my strongest ground for dismissing Emmerlich’s Anonymous as a poorly contrived piece of dog’s vomit masquerading as entertainment.

Queen Elizabeth- Gloriana Triumphant…Or slut?
I don’t quite see the logic in this scripting and portrayal of Queen Elizabeth as either a historian or writer, it just makes a bad film even worse.  According to the storyline Gloriana has three illegitimate children, one of which is the Earl of Oxford, the hero of Anonymous.  Even more disturbing, later on Elizabeth is so much the ditzy raving slut that she tries to seduce her own bastard child ie Oxford.  Err what is this?  The Queen of England has even less morals than Paris Hilton, or even Caligula?
Oh spare me!  Not just tacky, but insultingly demeaning, I mean what would Americans think, if in a novel or screen play I suggested that George Washington regularly bent the young servants over the banister rail, unbuttoned his breeches and gave them a damned good ‘rogering’?  See what I mean the imagination shudders to an abrupt halt.
Queen Elizabeth’s reign defined the later Tudor period as a ‘golden age’ of achievement in art, science and discovery, which was made manifest by her survival from plot, assassination and invasion.  Her political acumen, was regarded as legendarily incisive, though also frequently and according to some in her Privy Council notoriously indecisive.  As for her rivals, their strident public condemnations of Elizabeth were full of accusations of ‘an apostate excommunicate and protestant whore, dripping with the blood of catholic martyrs’.  This overtop treatment tends to indicate an obsessive fear and betrays a sneaking respect for the formidable Queen of England. 
But hey, this is a Hollywood fantasy, lets just ignore the fact that Elizabeth was the most closely watched princess in the pre Victorian era.  The fright of the Thomas Seymour affair and its resulting investigation has been frequently cited as enough to convince a young Elizabeth that public and private virtue were her strongest defences from the Tower, the axe and rebellion. 
As many a historian has noted, after her upbringing at the tumultuous Tudor court which claimed her mother plus more than a few relations and friends Elizabeth’s overwhelming motivation was survival.  How any of this complexity and depth of person and character appears in Anonymous is well beyond debateable…it doesn’t.


Thus when it comes to Hollywood versions of Elizabeth, I think we are better served by the interpretations of Cate Blanchett, Dame Judy Dench, Glenda Jackson, and Betty Davis or even Quinten Crisp.  
Alright we’ve hopefully salvaged the reputation of Gloriana, the discussion will continue in part 2 next week in;



How to win Friends and Influence People in Elizabethan England

So will I spend money on Anonymous or recommend it?  While the CGI scenery is very good and the costumes passible, on the whole the script and plot lack even the most basic credibility or coherence of the Bold and the Beautiful…So no. 

Dont forget to have a browse through the list of books on my Amazon Author's page or my List of Best Tudor Fiction


Regards Greg

Monday, November 14, 2011

The Cardinal's Angels Published on Amazon

Good day to my growing legion of devoted readers.  I have some excellent news, the latest Red Ned novel has been released on Amazon, The Cardinal’s Angels is now downloadable from Amazon US/Australia and Amazon UK.  So browse over have a look at the sample and read the continuing tales of the Red Ned’s involvement in the affairs of the court of Henry VIII. 
After the excellent reception from readers of historical mysteries to the previous Red Ned novels The Liberties of London and The Queen’s Oranges (especially in the UK) I’m am pleased to announce the release of the third story- The Cardinal’s Angels
In this novel we step back a little in time to see how Red Ned Bedwell, apprentice lawyer and aspiring rogue, fell into the dubious company of Meg Back, her amiable brother Rob and their aptly named retainer Gruesome Roger.  In a similar vein to the other stories, this latest offering blends humour, realistic portrayals of Tudor life and the deadly drama of the Royal Court as the affairs of the mighty spill over onto the commons of England.  
Download a sample from Amazon and bring a little bit of Tudor London into your life, after all good historical fiction needs you!

As the author of this splendid work I naturally think its pretty good, as does my superbly talented editor (Jocelyn), and I could burble on for pages on how this is the equal to PF Chisholm in wit and dry humour or has the sense of thrilling adventure of Rory Clements.  I could even say it that it surpasses the literary style of gasp…Barbara Cartland, the doyen of Pink Prose.  But I won’t, I will be strong and refrain from the tempting indulgence.  For it is up to you, the actual reader to make a valued judgement on this novel and leave a note to others on whether it was entertaining and amusing.  Please don’t leave it to a publicist or kind old aunt Flo keen to help out a beloved nephew.  Leave a review and help Indie writers.

Regards Greg





Thursday, June 23, 2011

The Queen's Oranges Released!


The Queen's Oranges (Red Ned Tudor Mysteries)The Queen's Oranges by Gregory House

My rating: 4 of 5 stars


Now as the author I could gush wonderfully about this, saying the novel was the equal of Patricia Finney’s Firedrakes Eye or a better view of the Tudor turmoil than Phillipa Gregory or even a tour de force like CJ Sansom’s Shardlake series. I won’t. That is for you, the reader, to make your own judgement. All I can give you are the opinions of my beta readers. They’ve said it is a great piece of period mystery, blending a hefty splash of humour with the politics and machinations of Tudor England and so forth.

Since I don’t pay them, they aren’t relatives and they’ve all expressed an eager willingness to vet my future stories, then just maybe it could be…true? So why don’t you cruise on by download a sample and see what you think.

It gives me great pleasure to announce the release on Amazon Kindle of my first full length novel The Queen’s Oranges. Red Ned Bedwell Apprentice lawyer and aspiring rogue having recovered from his ordeals in The Liberties of London and several other difficult tasks from his lords and masters, is once more plunged into the labyrinthine complexities of Tudor politics. This story involves an unnatural double murder, smuggling and the strange hint of a devious plot circling the King’s annulment. For Ned life would be so much easier if he also didn’t have to rescue Meg Black from the suspicion of heresy or find a vanished royal official. Oh yes and of course there are always these damned oranges!




Available:

Amazon US/Australia



Amazon UK


Regards Greg

The Queen's Oranges



View all my reviews

Saturday, June 18, 2011

The Queen’s Oranges- A Cover! A story in Itself!

Good day to my growing legion of devoted readers.  First off, before we start this instalment of Red Ned’s Tudor blog, I would once more like you to take a moment to continue to think of those around the world undergoing threat or privation.  Disasters happen, and then all too soon our attention is drawn away by some other media event.  However the effects of the Japanese Tsunami and the continuing spread of nuclear radiation contamination doesn’t vanish when you change channels.  I ask you that if it is possible please donate or support a local/international charity of your choice.

 

Now on to the latest Red Ned news!  The Liberties of London novella is now almost across the complete internet spectrum firstly here at Smashwords, then secondly via their affiliate program through Barnes & Noble’s Nook and Diesel so far.  According to their updates, Kobo and Android will soon follow, with Sony, and Apple lagging a tad.  Right now you can acquire this (‘ahem’ to quote Lady Dellingham) magnificent piece of Tudor period fiction for the trifling amount of 99c!  In the meantime it is definitely available on Amazon Kindle at this link.  For those of you who have continued to ask for a hard copy, sorry, I fear that will still have to be much, much later this year.  But thank you for your interest.


Now on to the second book in the Red Ned Series—The Queen’s Oranges.  Within the next few days it will be live on Amazon and I will attach the link to this blog page.  In the meantime I thought we’d look at the cover art process for this novel.  In keeping with the theme of the last book, The Liberties of London, we have used a composition of the story elements.  I believe this is much better than the headless bimbo theme currently in vogue for almost every piece of historical fiction.  A wonderful article on that theme can be found here or my satirical version on Prognostications and Pouting.  As inspiration we’ve looked towards the wonderful early Dutch still life paintings of the mid 16th to 17th century.  As you can see in Claesz’s Still Life with Overturned Jug, Glass of Beer, and Food, an oil on canvas painted in 1635,it is fantastically full of life and colour. 
 
 Now after all that lofty discussion and inspiration we return the humdrum of real life. It came time for us to get the work done.  As Indies we have only our own resources to draw upon.  Though rich in talent and in theory, wealthy in experience, we have only the most basic tools available for graphics.  Thus improvisation is … well for us it is everything as you shall soon read.

Plan the First
Alex was to colour his excellent pen and ink sketch in Photoshop via the wonderful graphics tablet his loving parents had scrimped and saved for.  Well two weeks into this process and next to nothing had happened.  Alex, it seemed, had vastly overestimated his skills in Photoshop illustration, and fearing the undoubted wrath of his enraged parents, (here read me), had stayed silently reticent on his progress (read here very, very little).  The final editing was in its last flurry and we were almost ready to put it all together and…we had nothing, no maps, no cover and only the pen and ink sketch.  At this stage you can understand my hair pulling which achieved new levels of exasperation as soon as I discovered that Alex had also packed his not–so–well laptop so full of…ahh teenage stuff that only the odd miniscule kilobyte had room to squeeze through and run the poor thing.


A peremptory instruction finally had Alex grumblingly burn all his …ahh stuff onto a box full of discs.  Apparently he’d been under the impression that the magic backup fairy in size seven and a half boots (again once more you should read me here) was going to wave his wand and it would all be solved.  Not this time! 
All that took yet another day. Then four hours later the battery on Alex’s laptop, having staggered gamely along seriously depleted, promptly keeled over.  For its effort we awarded it a posthumous VC for gallantry above and beyond the call of duty.
So after all this we were still up that infamous creek with only the very beginnings of a sketch of a paddle.  The editing had been finished but we lacked the essentials for an ebook, i.e. cover and maps.  At this stage Lady Fortuna cast us her smile Alex’s way, and a spare mint condition netbook with all the required programs was offered for use.  Well actually it was given to Alex to use by the school and it was dragooned immediately into service.  At last we had a graphics program, now for the maps et al.


Plan the Second
Initially Alex being a teenager wanted to use Google maps and then snapshot, filter, overlay, highlight, colourize and…well I’m sure you get the drift.  His ‘client’ felt this would result in another very long exercise where much play and fiddling on the netbook programs could ensure little actual progress.  The ‘client’ then made an executive decision and curtly instructed the following ‘get a pencil and a pad and draw the damned thing off the screen!  That process took less than an hour, and within two days after a ‘little’ further supervision and checking, we had scanned the excellent inked final versions ready for use. 

Now for the vexing problem of the cover.  Meg had offered to colourise the pen and ink and for a little while this was tempting.  She does have outstanding skill with colour as you can see in this example.  However we were still stumped for a cover.  Then as inspiration does, it struck in the strangest of circumstances.  At three in the morning I suddenly woke up with a Eureka moment.  Photograph an arranged still life and then Photoshop it.  Yes it could work!  I explained my idea to my dearest Uber editor, who to my chagrin was firstly already awake, and secondly had sketched out the idea on the back of an envelope about ten minutes earlier.





Plan the Third
A photographic studio was not at hand, so once more it was time to improvise.  The laundry (a rather small room on the eastern side of the house) was the least cluttered and had the whitest walls for light reflection.  So this was cleared and my Turkish carpet was tapped to the wall and draped over the freezer to provide a setting similar to that in Holbein’s Ambassadors.  Then a quick search of our re enactment gear pulled up a turned ash bowl, a Tudor period style pewter tankard and my twist pattern long dagger.  All this was artfully arranged as I said earlier to match the style of an early Dutch still life.  Easy, just go mad with the camera at variety of angles and light levels, a piece of cake!
Well no it wasn’t quite.  All this activity and moving carpets around had naturally attracted the interest and attention of our cats, who it transpired all wanted to help and none were so keen or so ‘helpful’ as my muse Myrtle.  Every couple of shots we had to pause and lift off cats, rescue other cats from knocked off daggers, stop them from climbing up their new vertical play gym (my carpet) and so on. 









In the end we had some hundred shots to pick from, and on the advice of my Uber editor two were selected for treatment via basic effects on Photoshop. 
As with every stage of this ‘simple’ project we ran into another snag.  The font we’d used for title upon the cover for The Liberties of London was perfect for this.  However it was currently locked away in Alex’s hors d’ combat laptop.  Now did desperation take hold and Alex was ‘requested’ to search through whatever options were available to him as to text styles.  The result was four choices.  One was discarded pretty quickly as way too modern while the other three scrutinised for both period character and also importantly legibility.  After a quick post around to a few of our beta readers one stood out as the most favoured and the winner is…

All that process is for now concluded, but we feel that the still life theme is worth continuing, so we will field some preliminary ideas for our up coming novels The Trade of the Thames and The King’s Counsel both to be released towards Fall.


In the meantime, as a shameless self publicist, check out my Tudor frolic The Liberties of London.  Download a sample.  If you like it splurge that 99c and help support ‘indie’ authors so that we, the crafters and wordsmiths, can directly supply you the reader with the best fiction possible as soon as possible.
Regards Greg and in conclusion the shot we had to put in!

Still life with Myrtle